∞ / ABOUT
FOUNDED 2024 · TASMAN SEA · PARISgives a shit.
Tracksynk started after years of conversations with filmmakers and brands who couldn’t find music that felt alive — and indie artists who’d built incredible catalogues but didn’t know how to break into sync. We built the bridge. Real songs, plain-English licences, fair pay, fast turnaround.
—Tracks live
—Independent artists
75%To the artist, every time
Four things we won’t compromise on.
Real artists. Real records.
Every track on Tracksynk comes from an independent artist with a working career. No AI filler, no work-for-hire mills, no library music dressed up as something it isn’t.
Artists keep 75%.
Buyers pay the track price plus a 5% service fee. Three-quarters of every licence goes directly to the artist. The split is the whole pitch to the roster, and the reason quality keeps showing up.
Plain-English licences.
Read the terms before you pay. No 14-page PDFs, no rights you don’t understand. IndieSynk for social, StudioSynk for commercial, CustomSynk for broadcast and bespoke. That’s the whole menu.
Instant licensing.
Pay for an IndieSynk or StudioSynk and download the wav + signed licence PDF on the spot. CustomSynk deals are bespoke and turn around in as little as 24 hours. No back-and-forth with reps, no quote-by-email.
Where it’s landed.
Tennis Club
Around The Corner
PATAGONIANIKERED BULLAIRBNBAPPLE TV+SBS
Half artists, half builders.
Two founders building Tracksynk hands-on, plus an advisory group of industry experts from music and film. Self-serve where it’s faster, hands-on where it matters. People who answer their own emails.
Alain de Carne
Producer and composer with over 20 years in the industry, from touring and recording with original bands to creating music and sound for film, advertising, and beyond. His projects have amassed over 8 million streams.
Lee Corleison
Lee Corleison is a product architect with over 20 years across brand, product design, and full-stack engineering. Previously Executive Creative Director and shareholder at Paloma, ANZ's leading venture studio with a portfolio north of AUD $500 million, and original product designer on the early Afterpay app.
Industry experts
An advisory board is being assembled from senior figures across music, film, and licensing — composers, music supervisors, label executives, and directors who shape how sync deals actually get made.
Asked and answered.
Who's actually behind Tracksynk?
Two founders. Alain de Carne is a producer and composer with over 20 years in the industry, from touring and recording with original bands to creating music and sound for film, advertising, and beyond, with his projects amassing over 8 million streams. Lee Corleison is a product architect with over 20 years across brand, product design, and full-stack engineering. Previously Executive Creative Director and shareholder at Paloma, ANZ's leading venture studio with a portfolio north of AUD $500 million, and original product designer on the early Afterpay app. Tracksynk is also assembling an advisory board of senior figures across music, film, and licensing — composers, music supervisors, label executives, and directors who shape how sync deals actually get made.
How is this different from a stock library?
Stock libraries package music as commodities, often duplicated across thousands of buyers. Tracksynk is the opposite. Every track is from a named artist you can find on Spotify, with a profile and a story. You license directly from them. They keep 75%.
Are tracks exclusive to Tracksynk?
No. Tracksynk is non-exclusive by default, so artists release their music wherever they like. Exclusivity is available as an optional element of a CustomSynk deal, negotiated case by case when a buyer needs it for a high-profile use.
How do artists get added to the roster?
Through curation. We listen to every submission that comes through the homepage form. If the music fits the editorial direction, we invite the artist to set up a profile, connect Stripe Express, and start uploading. No pay-to-play, no algorithm.
Why human-made only?
Because creators and brands deserve real music that means something. The internet is filling up with AI-generated audio that all sounds the same, made by no one, attached to nothing. Tracksynk is a hard line in the other direction: every track on the platform is written, played, and recorded by a named human artist. That is the whole product.
Stay close to what’s coming.
New releases from the roster, sync placements we’re proud of, and the occasional behind-the-scenes from how the platform is being built. One email a month. Easy to leave.
Real artists, ready to synk.
Whether you make the music or licence it, you can be inside the loop in minutes. Browse the catalogue or apply for the roster — both routes open from here.